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Saturn is a world-class saturator/distortion effect that can emulate classic sounds or create wild new textures. Pro-R is a reverb plugin capable of delivering a breathtaking range of reverb responses. Their Pro-Q EQ is clean, responsive and easy to use. Rather than attempting elaborate analog emulations, FabFilter focus on sound quality, usability and multi-disciplinary appeal. Put simply, if you want to create an effect, a FabFilter plugin might be the fastest and most intuitive way to get there. A first-choice for many professionals, their plugins offer an intuitive workflow, sleek design and comprehensive range of applications. Let’s take a look at some amazing third-party plugins which will enhance your sound, turbo-charge your workflow andįabFilter have become one of the most heralded name in VST Plugins. Of these tasks are better attempted with help from 3rd party plugins to ensure a fast workflow. While Max for Live allows users to create their own (often wild) audio and MIDI manipulation tools, some That said, there are occasions where external plugins can achieve extraordinary results. So are there any must-have plugins for Ableton Live? Some of the key features that make Ableton Live a market leader are its exceptional audio engine, (virtually) seamless hardware integration, pioneering audio and MIDI manipulation tools, and a range of built-in plugins that few DAWs can rival. Since launching in 2001, it has become a cornerstone of many modern music producers, and is also embraced by live performers and DJs thanks to its powerful and innovative performance-friendly workflow. However, Ableton + Native Instruments (Komplete) is a killer combo, too.Ableton Live is one of the most powerful DAW softwares in the world. Call me crazy, but Native Instruments stuff drives me nuts. I much prefer Ableton + Omnisphere over Native Instruments stuff. But if I were to buy Live packs, I'd stick to the drums and percussion. As for third party stuff (and Live Packs), I'd probably spend my money elsewhere. As said earlier, some stuff in the library ain't so hot, and some of it is excellent.
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I know there's other plugins that can do this, but Ableton's Convolution Reverb Pro has my favourite interface of any reverb plugin, and the quality is excellent.Īs with anything else, I think Live Suite is worth it.
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You can also create or load in your own impulses. If you are just starting with line you will not miss M4L.If Max4Live only included the Convolution Reverb tool, it would still be worth it.Ībleton's convolution reverb is excellent, and you need Max4Live to run it. Only cool thing might be M4L but even that is not worth the Suite price. What comes with Suite is very dated sounds. You have a lot better synths and sounds already. I put an article up on my site featuring Five Live Packs You're Missing Out On if anybody's interested.Īny suggestions or warnings as far as good or bad Live Packs go? Has anyone tried out Apocalypse Percussion Elements or Analogic Waves? Those both look sexy as hell. I mean, they sound good, but hardly any of the sounds are usable for chiptunes or video game music. It's like they took a lot of retro computer/console samples and over-processed them until they sounded shiny and new. What is advertised as being a great Live Pack for creating chiptunes and retro video game-esque music is actually very modern sounding. It gave me a renewed appreciation for Tension and taught me a lot about sound design using a physical modeling string synthesizer.Īnother purchase I made recently that was not quite as positive was for Retro Computers, by Puremagnetik. Please share your Live Pack experiences, both good and bad, in this thread.Ī relatively recent purchase I made was for Entangled Species, by AAS. Some of them are game changers and some of them, well, not so much. There is an ever-expanding number of Live Packs.